For centuries evangelical Christians have steered clear of art, and so lost their critical powers and any real understanding of the arts. It is only in this way that we can explain why Christians took this art to be Christian in spirit and so fit to illustrate our Bibles and teach our children. Christians saw the deficiencies of the liberal reconstructions of the life of Christ of Hall Caine and Renan, but failed to see that the same spirit was at work in these pictures.
Evangelicals have also underestimated the importance of art. They have thought of biblical pictures as being representations of biblical stories. But they did not see that the salt had become tasteless, that there was so much idealization, so much of a sort of pseudo-devotional sentimentality in these pictures that they are very far from the reality the Bible talks about. Could it be that the false ideas many people, non-Christians as well as Christians, have of Chist as a sentimental, rather effeminate man, soft and ‘loving’, never really of this worId, are the result of the preaching inherent in the pictures given to children or hanging on the wall? Their theology, their message, is not that of the Bible but of nineteenth-century liberalism.
Hans Rookmaaker, Modern Art and the Death of Culture, 46.
